The artist edited and placed, in chronological order, the images and videos generated from the 5 months creation period. These images came from the mobile phone and laptop’s screen shot, as well as digital and analog camera. These photos and videos were not intended to be artworks. Some were traces of the day-to-day, and others photos were automatically generated from a smartphone’s software. The creation date set by the device became the only relationship that held these fragmented pieces together. The video presents a delicate relation between the artist’s personal life and the artwork itself. Additionally, a sense of absurdity is evoked from the collection of these isolated scrapes.